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From the 1880s through to the early 1900s, Shaw’s work was much imitated by speculative builders for middle class housing and large, fussy, red brick houses with porches, wooden verandas, small window panes in the upper sashes - and the occasional Dutch gable - became a familiar part of the outer suburbs of London and other large towns and cities. Stained glass became popular for front doors and porches while the floor and dados of porches and hallways were often finished in decorative tiles which were produced in huge quantities from the 1870s. After 1905, pargetting – decorative relief plasterwork - recalling the seventeenth century domestic architecture of Essex and Suffolk – pebble dash and half timbered gables became popular. In the hands of speculative builders, suburban villas began to look like enlarged cottages. Although roofs were prominent, houses were generally not as tall and there was now a greater horizontal look to the facade. Plans tended to be squarer and without a basement the main living rooms now had direct access to the garden.

Some of these features found their way down to the better quality artisan terraced house built around 1900. Often with their own name in imitation of the larger house, these were villas within a terrace; they provided homes for the upwardly mobile artisan and clerk – like the fictitious Mr Pooter of ‘The Laurels’, Holloway, London. Terraced houses of between four and six rooms remained the answer for mass urban housing. Typically laid out in straight, monotonous streets with little open space and erected by small builders employing local methods and material they still exhibited considerable local and regional variety. From the 1870s, national and local legislation aimed at improving public health at least ensured that basic standards of construction, sanitation and adequate space – front and back - were maintained.


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(iv) Oblique projection diagrams

In the oblique projection, the shape which appears in the foreground is expressed by the actual shape. Therefore, if a cube is assumed to be placed on a lattice, the square which is the front surface coincides with the unit lattice. Therefore, only the oblique lines which express depth are to be devised in this case to express a cube.
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(v) Use of long oblique lines

Let's use long oblique lines freely and try to change the image of the lattice drastically. However, it is not good if the diagram of the modified part is isolated from the whole. Therefore, it is necessary to note that the introduction part seems to continue from the square lattice to the oblique lines as smoothly and naturally as possible.

KOHSEI (Basic Art amp; Design) of a new type of three-dimensional effect is possible to be created by proceeding the above deformation.
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Figure 429: Composition of the cubic effect using oblique projection diagram in the lattice.
Figure 430: Expression of the cubic effect by distorting a part of the lattice into oblique nbsp;
nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; projection diagrams.
Figure 431: Destruction of the lattice using long oblique lines.
Figure 432: Creation of a shape with the cubic effect by destruction of the lattice using long nbsp;
nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; oblique lines. nbsp;


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